➊ The Greatest Showman Movie Essay

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The Greatest Showman Movie Essay



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The Greatest Showman - Based on a True Story

That's the opposite of a good look. But if it's somehow not skeezy enough that he simply married underage girls, how about how the disrespectful ways he treated them? Take his first wife Mildred Harris, whom he married at 16 because he thought she was pregnant. She wasn't. She started getting movie offers, but Chaplin was an unsupportive husband, thinking she was too young to have any real talent. Not too young for him to romance, of course, but too young for anything else. Then there's Lita Grey, whose poor treatment at Chaplin's hands was documented in her divorce papers, obtained by the London Times in and recapped by the International Business Times. Chaplain impregnated Grey when she was 16 — he quickly suggested an abortion. When that failed, he married her, but treated her terribly.

He would cheat on her with other young actresses, called her "lowly born and greedy" according to the LA Times , paid little attention to their children, and would demand, as she put it, "revolting, degrading and offensive" sex acts, some of which were illegal at the time in California. Of course, time heals all wounds, which is why you don't hear this story much anymore. Until now, anyway. The great Greek philosopher Aristotle was a wise man for sure, but when it came to women, he was a total misogynist who had zero idea what he was talking about. According to Charlotte Witt's essay "Feminist History of Philosophy" in the book Feminist Reflections on the History of Philosophy , Aristotle held views of women that went beyond typical sexism.

In his mind, women were hardly even human beings — at best, they were "deform[ed]" men. For some reason, he decided that women have fewer teeth than men they don't , rendering them incomplete, and even though they give birth, they "contribute only matter and not form to the generation of offspring. Of course, that can only happen if the child is a man because — and these are his direct words — "a woman is perhaps an inferior being. Does this make Aristotle less of a brilliant mind?

Not at all, but it does show how imperfect of a mind he had, and that even the wisest among us can have glaring blind spots. Woodrow Wilson is considered one of America's greatest progressive presidents: passing the first child labor laws, establishing the Federal Trade Commission, and codifying the eight-hour day. Wilson shored up antitrust laws, helped end World War I , and sort of supported women's suffrage. He was also severely racist. Before entering politics, Wilson was an academic who had written several books. In his A History of the American People, Wilson said of post-Civil War laws providing Black Americans treatment equal to that of whites that "the dominance of an ignorant and inferior race was justly dreaded.

According to historian Sheldon Stern , Wilson even personally fired all but two of the Black supervisors in federal service, replacing them with white people. During the postwar Versailles conference, writes historian Lloyd Ambrosius , Wilson killed a proposal for racial equality in the League of Nations. Not only did this cinematic love letter to the Klan get a private screening at the White House the first ever , but the film opened with another Wilson quote, "there had sprung into existence a great Ku Klux Klan, a veritable empire of the South to protect the Southern country.

The Old Testament and the Torah, it's complicated , is not exactly devoid of plot twists involving deception and betrayal, often from the supposed heroes. Take Joseph, son of Jacob and possessor of the not-quite technicolor dreamcoat. Jacob had 13 children but favored Joseph. Joseph's jealous brothers sold him into slavery in Egypt , getting away with it by convincing their father that he'd been eaten by a wild animal. Joseph was in charge of the land and, having prophesied a famine, had accumulated great stores of food in preparation. When the hungry Egyptian commoners came to him for food, he sold it to them. When they ran out of money, he said, "Give me your livestock, and I will give you food. We with our land will become slaves to Pharaoh. Now, in all fairness, according to Genesis , the Egyptians were grateful — Joseph had saved their lives.

And Joseph's family had joined him in Egypt by this point and ended up extremely prosperous, to boot. But surge-pricing food into literal slave wages is pretty terrible. Franklin Delano Roosevelt regularly makes lists of greatest US presidents. He was elected an unprecedented four times which is now illegal , established Social Security, beat the Nazis, and our personal favorite ended Prohibition. And he did most of it from a wheelchair. However, some of FDR's decisions were less reasonable politics and more When he took office, the country and world was in the midst of the Great Depression.

To help combat this, FDR decided he needed gold. All of it. So he took it. From everybody. Every person in the country, citizen or not, had to surrender their gold or face prosecution. Owens was a Black man competing in Nazi Germany but, as he said later , "Hitler didn't snub me; it was our president who snubbed me. The president didn't even send a telegram. Star Trek 's George Takei, and his family, were interned for four years because, as he explained to Democracy Now , "We simply happened to look like the people that bombed Pearl Harbor. Henry Ford was one of America's greatest entrepreneurs and innovators, a man who literally changed the world. He not only transformed the way people get around by selling cars everyone could afford, but Ford also revolutionized industry by creating the moving assembly line.

As Construction Literary Magazine said, "More than anyone of the industrial era, it was Ford that created a clear middle class. Ford also hated Jews. Two years later, the Independent began publishing Ford's anti-Semitic views. He would later publish his Jew-bashing articles together as The International Jew: the World's Foremost Problem , which would go on to sell millions of copies and be translated into a dozen languages.

Adolf Hitler referred to Ford in Mein Kampf as the only man in America uncorrupted by Jews, saying, "Only a single great man, Ford, to their fury, still maintains full independence. The reporter asked Hitler about the large portrait of Ford the soon-to-be dictator had in his office, "I regard Henry Ford as my inspiration," was the reply. That probably explains why, as The Nation reported, Ford kept doing business in Germany during the war.

John Lennon was half of one of the greatest songwriting duos and part of one of the most influential bands of the 20th century. The Beatles had 20 number-one hits, 34 Billboard top ten songs, and some of the most recognizable tunes on the planet. Gifted as he was, Lennon, however, was not the greatest guy. Even aside from marrying Yoko Ono and releasing Imagine , John did plenty that should make even the most zealous Beatlemaniac blanch. Granted, John didn't grow up in ideal circumstances. On the other hand, that his dad left him is not an excuse for leaving his own son. That he physically abused his wife before leaving her is not only something he admitted to — he actually wrote it into one of the Beatles' better-known songs.

I was a hitter. That John's first son, the one he abandoned, wouldn't hold his father in the greatest esteem seems obvious, but Sean Lennon, John's son with Yoko Ono, also had choice words about his dearly departed dad. Roald Dahl created fantastic stories enjoyed by generations of children all over the world. His characters aren't merely beloved — many are household names. Unfortunately, Dahl's dark humor and comic violence so many of us enjoy ed reflects something darker in him.

The Harvard Review of Latin America records Dahl's response to his editor instructing him to revise the illustrations for The BFG to avoid stereotypes and caricatures as: "the negro lips thing is taken care of. Dahl jumped the bigoted shark with his anti-Semitic comments, though. For the year anniversary of Dahl's birth, the Jewish newspaper The Forward compiled the five most anti-Jewish statements he publicly made and, well, here's an excerpt: "Hitler didn't just pick on them for no reason. Coco Chanel is one of the world's most influential fashion empires, named after the famous French designer who originally founded the company. Chanel liked the high life and was known to associate with British aristocrats, French politicians, and German military officers in Paris during the Nazi occupation.

Nazi gear was pretty haute couture , after all. When war broke out, Chanel secured lodging at the Paris Ritz. After the fall of France, many Wehrmacht officers ended up living there as well, one of whom probably shared more than Coco's address. Not only was she in bed with a Nazi, but she was probably in bed with the Nazis. Coco Chanel was more than likely a spy for Germany. Snopes concluded that "the evidence appears to skew strongly in favor of Chanel's at least doing some information gathering for the National Socialists. Apparently as business-savvy as she was anti-Semitic, Chanel possibly also took advantage of the Nazis' anti-Semitic laws. A French documentarian told The Jerusalem Post that Chanel, "with the help of the Nazis occupying France, went to great lengths to get rid of her Jewish associates.

According to Newsweek , some historians have suggested that one of Chanel's high-profile pals, British prime minister Winston Churchill, intervened on her behalf. That's how highly Americans think of the president we know as Teddy. He passed food and drug safety regulations, started the American political tradition of environmental conservation, made the first worker's compensation laws, got the Panama Canal built, and won a Nobel Peace Prize. He was also a bloodthirsty nationalist and racist. Teddy Roosevelt was an unabashed Western chauvinist. He wrote in Winning the American West that, "All men of sane and wholesome thought must dismiss with impatient contempt the plea that these continents should be reserved for the use of scattered savage tribes.

As such an ardent believer in the inherent superiority of America, Teddy encouraged American expansion overseas. When the US defeated Spain and took the Philippines as a colony, Teddy was a vocal proponent for civilizing the Filipinos by force, resulting in horrific war crimes and hundreds of thousands of dead Filipinos. Che Guevera is probably the only 20th-century revolutionary that people know by his face. A highly charismatic warrior who sacrificed his life fighting against imperialists, Che is an inspirational figure to many millions of people, which is kind of sad because chances are he'd want to kill most of the people wearing his face on a T-shirt. Not even the most idealistic pacifist seriously thinks that the South American revolutions of the mid-century could have happened so quickly without a significant amount of violence.

However, as the Independent Institute points out, Che seemed to relish in the bloodshed, making clear in his "Message to the Tricontinental" that successful revolution required "hatred as an element of struggle; unbending hatred for the enemy, which pushes a human being beyond his natural limitations, making him into an effective, violent, selective, and cold-blooded killing machine. In his diary, as the Huffington Post reports, Che referred to South America's Black population as "those magnificent examples of the African race who have maintained their racial purity thanks to their lack of an affinity with bathing.

When setting up the new regime in Cuba and rooting out remaining "anti-revolutionary" elements, Che's orders were simple: "If in doubt, kill him. Recruiter vs. HR Generalist. Copywriter vs. Content Marketer. Compare and contrast essay between two cultures Egypt and Mesopotamia compare and contrast essay Modern European and American culture.

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Saving Private Ryan. The Green Mile vs. The Shawshank Redemption. Les Miserables vs. The Greatest Showman. Music and arts-related topics Beyonce vs. Whitney Houston against Adele. Britney Spears against Madonna. Mona Lisa vs. Girl with a Pearl Earring. Van Gogh against Picasso. Impressionism against Expressionism. Opera and ballet. Spotify or Deezer. Records or Live concerts. Jazz or classical music. Musical theatre vs. So it's only appropriate that his right hand was bitten off by an crocodile and he's replaced it with a metal prosthetic, complete with deadly pincer. Even when he's stranding Bond in the middle of an alligator-infested pond or trying to murder him in the film's action-packed epilogue, he exudes good if dark humor and folksy wisdom.

He's the kind of henchman you'd want to chat with in a bar if he wasn't trying to kill you. At a glance, Necros is just another blonde-haired assassin. But this is a guy who strangles a milkman with Walkman headphones, poses as the milkman, infiltrates a top-secret government meeting, kills dozens of trained agents and bodyguards using explosive milk bottles! This motherfucker kills one of Bond's buddies with rigged automatic doors and leaves a taunting message on a ballon.

He's shockingly capable. All of this comes before his stunning final fight with Bond, where they dangle out the back of plane from a loose cargo net. That fight is one of the best practical stunt sequences in the entire series and it's the only scene crazy enough to kill off a badass like Necros. Tomorrow Never Dies doesn't get enough credit for having one of the looniest master villain plots in the entire series. Media tycoon Elliot Carver wants to orchestrate World War III not because he has a political motive, but because his countless newspapers and television shows would benefit from that kind of dramatic world event.

And since he's causing the whole thing, he'll always have the juicy, inside scoop. It's total insanity and Jonathan Pryce is a hoot, taking his performance up to eleven and delivering the goofiest Bond villain since the '70s. He dies appropriately: torn apart by the razor-sharp, remote-controlled torpedo he somehow had the resources to build. He kills people. Towering over most of his victims, this 7' 3" assassin possesses super-strength and metallic razor teeth that allow him to bite through most materials, although he frequently uses them to rip open jugulars and such.

Fortunately for Bond, Jaws' brain is about as dull as his teeth are sharp. Watching our secret agent hero find ways to counter his absurdly powerful opponent makes for some of the best scenes in The Spy Who Loved Me. He may not speak, but Kiel gives him a surprising amount of personality — he's just a big goofball with one single, unpleasant talent. Unfortunately, Jaws returned for Moonraker , where he was defanged and transformed into bumbling comic relief, even getting an out-of-character heroic turn in the climax.

The Bond series went out of its way to sabotage one of its best villains. His first appearance is strong enough to salvage the whole thing. Model and singer Grace Jones was destined to play an absurd Bond villain — no human being has ever appeared more comfortable defying the norm. A View to a Kill may be a lesser Bond film, but it knows good and well that casting Jones as a lead henchman who commands an all-female security team and putting her in a series of outrageous outfits is a fine idea.

The fact that she apparently has super-strength and can literally lift grown men over her head the cherry on this totally insane sundae. Interestingly, May Day is one of the few truly great Bond villains to have a last-minute change of heart. Abandoned by her employer and lover, she dies saving the American computer industry. Thanks, May Day! The Basics: Arms-dealing military reject; AmericanThere is one thing that separates Brad Whitaker from the vast majority of his villainous company on this list: he's American.

With the exception of a few henchmen, Bond's adversaries tend to hail from every nation except the United States. This makes him unique and worthy of consideration…especially since he's such an American. While other villainous lairs are filled with fine art, Whitaker's Tangier mansion is full of toys and guns. His home is a museum honoring war, complete with wax figures of Genghis Khan, Attila the Hun, and Hitler all modeled to look like him.

He's loud, obnoxious, and crass, played with sleazy southern charm by Joe Don Baker. He may have been kicked out of West Point, but hey, the arms dealing business has given him access to all the guns and violence he could possibly want. Bond ultimately crushes him with a statue of the Duke of Wellington, a fitting end for a memorable blowhard. In the closing moments of On Her Majesty's Secret Service , she leans out the passenger window of a car driven by Bond's arch-nemesis, Blofeld, and opens fire with a machine gun. Bond survives the attack, but his new wife, Tracy, does not.

Yes, the henchwoman who kills James Bond's wife does not get punished for her crimes. Her character doesn't even show up in future films. She's effective before those final moments as a harsh disciplinarian who follows her employer's orders without hesitation and leads fellow henchmen like a born commander, but it's those final moments that seal the deal. There is no retribution.

There is only Bond at his most broken and human. To this day, she is the only villain to have actually beaten Agent Julian Glover has quietly embedded himself into popular culture like no other actor. So of course he found time play a James Bond villain and Aristotle Kristatos in a strong one. After the over-the-top lunacy of Moonraker , Kristatos was the Bond franchise's deliberate attempt to bring things down a notch or two and it works. Here is a villain who exudes all of the necessary menace while keeping both feet planted firmly on the ground. He's a straightforward villain, a traitor who's out to sell stolen military tech to the Russians, and Glover's performance forces us to take him seriously.

If we're going to praise the wacky villains with absurd schemes, it's necessary to praise the low-key baddies who deliver actual, functional drama. The Film: Licence to Kill. The Basics: Your not-so-friendly neighborhood drug baron. Licence to Kill represents the Bond series aping the common '80s action movie i. While Franz Sanchez may be a fairly boilerplate Scarface riff, he's played with exceptional charm and menace by the great character actor, Robert Davi. Capable of feeding a man to shark in one scene and offering honest gratitude and friendship in the next, he's the rare villain to showcase some real human layers. As Bond infiltrates his organization and steadily convinces him to kill off his own people , you never doubt that his misplaced trust and love for his new British ally is genuine.

You kinda' like Sanchez! Not enough to feel bad when Bond lights him on fire and calmly lets him burn to death, but enough to feel invested in whatever he's doing. In the rare pre-Daniel Craig movie that takes its characters personal issues seriously, that's vital. No beating around the bush here: Famke Janseen is incredible in GoldenEye , taking a silly character and creating someone that's both heart-stoppingly attractive and legitimately terrifying.

Don't let the eye-roll of a name fool you—this is one of the best henchpersons in all of Bond-dom. Whether she's seducing important men and murdering them with her thighs or visibly orgasming as she guns down dozens of innocent people, Xenia is the perfect blend of serious and silly. With one foot in the Bond films of yore and one foot in the Bond films to come, she represents the perfect balance of two distinct worlds. The frequently glum henchmen populating the Craig films could learn a thing or two from her menacing theatricality. Christopher Walken, dressing up as David Bowie, represents the second greatest disparity between great villain and bad film.

Max Zorin is a tremendous Bond psychopath, the result of Nazi experiments to create the perfect Aryan superman. It worked: Zorin is highly intelligent and capable of outthinking anyone who tries to oppose him. The side effects just include him being more than a little insane and remorseless and casually cruel. In a film where Bond looks like he's old enough to retire and the villainous plot literally doesn't make sense, Walken's performance is a breath of fresh air. Each of his scenes is full of just enough lunatic joy to keep you watching. Walken even grants life to Zorin's dull death scene. As he realizes that he's lost and is about to plunge to his death from the Golden Gate Bridge, all he can do is giggle at the absurdity of it all.

The first major Bond villain set the standard and established the cliches. He's a snobby intellectual a genius scientist , with an elaborate lair an island fortress , and a strange disfigurement robot hands. He has an army of henchmen willing to die for his cause, which involves taking control of an American rocket launch. The film saves his reveal for the third act and it feels like a proper event when we get to meet him…and he manages to live up to the hype.

No is the most pure of the megalomaniacs. Fresh and untouched by expectations, he's allowed to simply exist in a way that his successors cannot. Even today, he remains a wonderful adversary, played with the perfect blend of ego and viciousness by Joseph Wiseman. Although he's only the third best of the "evil versions of " that sprung up over the years, Silva is the definitive villain of the Craig era. Sure, he feels constructed out of spare parts left lying around from other recent movie villains Heath Ledger's Joker, Benedict Cumberbatch's Khan, etc , but Javier Bardem gives the parts the perfect polish.

Played with unhinged, eccentric anger, Silva is a Bond villain for the 21st century. He's a tragic monster, a sympathetic villain driven by personal hatred and rage, not world domination. He's also the first baddie to challenge Bond to a game of gay chicken…and Bond makes it a draw. Here is a brave new villain for a brave new world. Although Blofeld lurks in the shadows throughout From Russia With Love , it's Rosa Klebb who calls all of the direct shots, making her the first and so far, only solo female mastermind villain in the series. Everyone answers to her, no questions asked. As the third highest ranking member of S. If James Bond's magic penis hadn't converted her main agent over to the side of tea, martinis, and Democracy, her plan to steal a top-secret decoding machine would have succeeded with flying colors.

Hell, if not for that same agent shooting her, she would have murdered James Bond with a poisoned knife hidden in the toe of her shoe. Klebb, foiled only by circumstance, is among the most competent Bond villains. The Basics: S. All roads eventually lead to Blofeld. The mastermind of S. First introduced as the mysterious and unseen overlord giving marching orders to all of Bond's villains, he eventually meets face-to-face. He's a bald, hideously scarred, and crazy about his fluffy white cat. When he shows up again, the scars are gone and he's more laid-back, genial menace with a fluffy white cat.

When he shows up again, he's grown hair and has become a hopelessly generic bore with a fluffy white cat. When he makes a brief cameo in the Roger Moore era, he's a silly cartoon character who goes down easily… but at least he's bald and has a fluffy white cat. Still, he's impossible to ignore since he's the glue that holds the early films together in a loose continuity and his impact on popular culture cannot be overstated Donald Pleasence's take on the character directly inspired Dr.

Since every actor has a different take on Blofeld, he's impossible to pin down and impossible to fully appreciate. He's less of a character and more of a vessel for different performers to riff as a Bond villain. Whether he's a deranged psycho, a practical businessman, a hammy oddball, or something else entirely depends on the movie you're watching. Blofeld is too important to ignore, but too inconsistent to warrant ranking any higher.

Volpe is a S. Need her to seduce a pilot to secure the theft of a few nukes? She's on it. Need her to murder a big-mouthed former associated using a missile-launching motorcycle? Just give her the keys. Here is the most confident of all the Bond henchwomen, a total professional who beds Bond, lures him into a trap, and then drops this gem while holding him at gunpoint: " James Bond, the one [who] has to make love to a woman, and she starts to hear heavenly choirs singing.

She repents, and turns to the side of right and virtue Volpe ultimately does meet her end, but not before Bond is wounded, cornered, and nearly finished for good on her watch. What a woman. When it comes to Bond villain notoriety, Goldfinger has an unfair advantage. His name is the title of the movie and iconic theme song everyone likes to screech. His most famous line "No, Mr. Bond, I expect you to die! More people know Goldfinger than anyone else in this list. But here's the thing: he's so very, very good, earning every ounce of his infamy. There is nothing slick about Goldfinger. He's just a grotesque, greedy, ugly little bastard who has enough money to build a laser, hire an entire fleet of pilots, and stage a raid on Fort Knox so he can nuke America's gold supply to increase the value of his own stash.

What an odd plan. What an odd, petty, dumb, genuinely kind of amazing plan! Goldfinger is the kind of guy who puts together a massive presentation detailing every aspect of his scheme, assembles an audience of elite criminals, tells them every excruciating detail of his plan…and then gasses them to death. Why did he go through all of the trouble and build all of those little models just to kill his audience?

The only answer: being a horrible human being is just Goldfinger's hobby. Every cinematic henchman since owes a debt to Hardol Sakata's Oddjob. Auric Goldfinger's mute, impossibly strong, and even more impossibly loyal henchman set the standard. This is the guy you measure all movie muscle against. Oddjob works because he's just a straightforward, unflinching opponent. Bond only takes him down by thinking on his feet.

In a one-on-one fistfight, he gets his ass completely and thoroughly kicked. But it's Oddjob's collection of little quirks that elevate him from hyper-competent enforcer to something special. It's his occasional smiles of smug satisfaction. It's how he's always dressed so impeccably. It's how his bowler hat is lined with a razor that can decapitate statues when thrown. Everything about this guy is famous and he's famous for a reason. GoldenEye remains one of the biggest miracles in the entire Bond series because it proved the character could escape the confines of the Cold War.

However, Pierce Brosnan's first film as was wise to leave some noticeable scars from the decades-long conflict on nearly every character. Chief among them is Alec Trevelyan, the former Agent , a villain whose origin story is directly tied to him being a casualty of the lengthy shadow war that Bond survived. Left for dead by at the end of a disastrous mission, re-emerges, hideously scarred and embittered and ready to wreck the systems that let him down. If that means taking his former partner down along the way, all the better. Sean Bean makes Trevelyan the rare Bond mastermind who is both a physical and psychological threat.

He's haunted, angry, and not afraid to get his hands dirty. His skills as a soldier mark him as a Mirror Universe version of Bond himself. You can imagine a timeline where was left behind with a bullet in his face and would race to stop him from using a powerful satellite to instigate armageddon. Like the best Bond villains, he knows just how to cut to the bone, telling our favorite spy: " I might as well ask you if all those vodka martinis ever silence the screams of all the men you've killed. Or if you find forgiveness in the arms of all those willing women for all the dead ones you failed to protect. Then a gigantic antenna array falls on him. Here it is: the greatest disparity between the quality of a villain and the quality of James Bond movie.

The Man With the Golden Gun is an unbearable mess filled with awful jokes and characters. It might as well be an episode of James Bond Jr.. If they weren't trying to kill each other, he and could easily bond over their various conquests while sipping martinis in a swanky bar. The great Christopher Lee built much of his legacy by delivering tremendous performances in terrible films, but this may be the ultimate great performance in a bad movie. Lee carries a lifetime of experience into this part and you can detect new sides of Scaramanga in every glance, every smirk. The soldier, the lover, the monster, the theatrical showman, the egotistical professional who has made a career out of death. Lee was a gift to the Bond films and it's the shame that he had to carry an entire lousy film on his shoulders.

Island who has been specifically training to counteract himself. And he's good. Really, really good. The great Robert Shaw remains one of the few actors in the series to actually match Sean Connery's steely toughness and we recognize Bond's ugliest traits in Grant. He's an accomplished liar and killer capable of absorbing punishment. He can effortlessly slide between high society engagements and ruthless battles to the death. He's terrifying. We look at him the same way a average S. His final fight with Bond is one of the great battles in the series: two men enter a train compartment, one man leaves.

It's one of the only times we ever fear for the safety of the seemingly invincible United States. Type keyword s to search. Today's Top Stories. Richer Poorer's Short-Sleeve Sweatshirt. The Shakedown at Sing Sing. Eon Productions. Advertisement - Continue Reading Below. Keith Hamshere Getty Images. Colonel Feyador. Joe Butcher. Edmund Slate. Hai Fat. Marco Sciarra. The Film: Die Another Day The Actor: Rick Yune The Basics: Very angry henchman with a very expensive injury A deadly henchman whose faces has been wrecked by experimental plastic surgery and a bunch of explosion-propelled diamonds.

Vladimir Popov. Eon productions. Bert Saxby. General Medrano. The Film: Live and Let Die The Actor: Tommy Lane The Basics: Barebones henchman who exists so action can happen Adam's demise is a hoot—he dies in a fiery explosion at the end of a massive boat chase—but beyond that, he's a standard muscle.

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